Western, famille et communisme

Le cinéaste parcourt l’Iran en camping-car avec sa femme photographe et ses filles. Les paysages lui ins­pirent des scènes de western et infléchissent les jeux des deux soeurs tandis qu’à Paris, les manifestations de Nuit Debout imposent un tout autre rythme.

The filmmaker, along with his photographer wife and daughters, drives his camping car through Iran. The landscapes remind him of western-like scenes and influence the two sisters’ games, while, in Paris, the events of the social movement “Nuit Debout” impose a very different rhythm.